swh:1:snp:ed2d467953071803b0382cac92a7b1b452fbb8ef
Tip revision: 851214e7fac6fb15020e33fcf2b88b2e88382956 authored by Syd Bauman on 05 July 2013, 23:14:00 UTC
Re-tagging the 2.4.0 release of P5.
Re-tagging the 2.4.0 release of P5.
Tip revision: 851214e
testi18n.xml
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<FileBeschr>
<TitelInfo>
<Titel Typ="main">A Christmas Carol</Titel>
<Titel Typ="sub">A machine-readable transcription</Titel>
<Autor>Dickens, Charles, 1812-1870</Autor>
</TitelInfo>
<AusgabeInfo>
<Ausgabe>Public Domain TEI edition prepared at the Oxford Text Archive</Ausgabe>
</AusgabeInfo>
<Größe>
<seg Typ="size">Filesize uncompressed: 170 Kbytes.</seg>
<seg Typ="format">SGML TEI Lite</seg>
<seg Typ="location">online</seg>
</Größe>
<VeröffentlichungsInfo>
<Verteiler>
<Adresse>
<AdressZeile><Name key="ota" Typ="organisation">Oxford Text Archive</Name></AdressZeile>
<AdressZeile><Name key="oucs" Typ="organisation">Oxford University Computing Services</Name></AdressZeile>
<AdressZeile>13 Banbury Road</AdressZeile>
<AdressZeile><Name Typ="place">Oxford</Name></AdressZeile>
<AdressZeile>OX2 6NN</AdressZeile>
<AdressZeile>info@ota.ahds.ac.uk</AdressZeile>
</Adresse>
</Verteiler>
<IdNum Typ="ota">dick1736</IdNum>
<Erhältlichkeit Status="free">
<p>Freely available for non-commercial
use provided that this header is included in its
entirety with any copy distributed</p>
</Erhältlichkeit>
<Datum>1992-11-01</Datum>
</VeröffentlichungsInfo>
<VermerksGruppe>
<Vermerk>This is a prototype header</Vermerk>
</VermerksGruppe>
<QuellenBeschr>
<p>Transcribed from the 1893 reprint of the first edition by Lou Burnard.</p>
</QuellenBeschr>
</FileBeschr>
<KodierBeschr>
<RedaktionsErkl>
<p>Paragraph, page divisions and punctuation
have been checked against original; all direct speech
has been represented by Q tags (and the quotation marks removed).
Unless otherwise indicated (by a REND attribute) all EMPH elements are
rendered in italics in the original, and all SOCALLED elements by quotation
marks.</p>
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<ÄnderungsBeschr>
<Änderung when="1992-10" who="#LB">
Proofread by Lou Burnard
</Änderung>
<Änderung when="1994-12" who="#JPW">
convert to HTI DTD, incl. adding ID and changing ents to ISO values
</Änderung>
<Änderung when="1997-08-07" who="#jf">
Jakob added the eight plates from the source document</Änderung>
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<Text>
<Vorspann>
<div Typ="half_title_note">
<Kopf>(half title note)</Kopf>
<p>The Original Edition of A CHRISTMAS CAROL has been out of print
for many years, and this Edition is a reprint from the stereotype
plates of that Edition.</p>
</div>
<div Typ="preface">
<Kopf>PREFACE
</Kopf>
<p>I have endeavoured in this Ghostly little book, to raise the
Ghost of an Idea, which shall not put my readers out of humour
with themselves, with each other, with the season, or with me.
May it haunt their houses pleasantly, and no one wish to lay
it. </p>
<gezeichnet> Their faithful Friend and Servant, C.D. <Datum>December, 1843.</Datum></gezeichnet>
</div>
<div Typ="toc">
<Liste>
<Kopf>Contents.</Kopf>
<Beschriftung>Stave I</Beschriftung>
<Punkt>Marley's ghost <Verweis target="#S1">1</Verweis></Punkt>
<Beschriftung>Stave II</Beschriftung>
<Punkt>The first of
the three spirits <Verweis target="#S2">39</Verweis></Punkt>
<Beschriftung>Stave
III </Beschriftung>
<Punkt>The second of the three spirits <Verweis target="#S3">74</Verweis></Punkt>
<Beschriftung>Stave IV </Beschriftung>
<Punkt>The last of
the spirits <Verweis target="#S4">121</Verweis></Punkt>
<Beschriftung>Stave V</Beschriftung>
<Punkt>The end of it <Verweis target="#S5">152</Verweis></Punkt>
</Liste>
</div>
</Vorspann>
<Körper>
<Kopf>A CHRISTMAS CAROL.</Kopf>
<div1 xml:id="S1" Typ="stave">
<Kopf>MARLEY'S GHOST</Kopf>
<su n="1"/>
<p>Marley was dead: to begin with. There is no doubt whatever
about that. The register of his burial was signed by the
clergyman, the clerk, the undertaker, and the chief mourner.
Scrooge signed it. And Scrooge's name was good upon 'Change,
for anything he chose to put his hand to. Old Marley was as
dead as a door-nail.
</p>
<p>Mind! I don't mean to say that I know, of my own knowledge,
what there is particularly dead about a door-nail. I might have
been inclined, myself, to regard a coffin-nail as the deadest
piece of ironmongery in the trade. But the wisdom of our
ancestors is in the simile; and my unhallowed <su n="2"/> hands
shall not disturb it, or the Country's done for. You will
therefore permit me to repeat, emphatically, that Marley was as
dead as a door-nail.
</p>
<p>Scrooge knew he was dead? Of course he did. How could it be
otherwise? Scrooge and he were partners for I don't know how many
years. Scrooge was his sole executor, his sole administrator, his sole
assign, his sole residuary legatee, his sole friend, and sole mourner.
And even Scrooge was not so dreadfully cut up by the sad event, but
that he was an excellent man of business on the very day of the
funeral, and solemnised it with an undoubted bargain.
</p>
<p>The mention of Marley's funeral brings me back to the point I
started from. There is no doubt that Marley was dead. This must be
distinctly understood, or nothing wonderful can come of the story I am
going to relate. If we were not perfectly convinced that Hamlet's
Father died before the play began, there would be nothing more
remarkable in his taking a stroll at night, in an easterly wind, upon
his own ramparts, than there <su n="3"/> would be in any other
middle-aged gentleman rashly turning out after dark in a breezy spot
— say Saint Paul's Churchyard for instance — literally to
astonish his son's weak mind.
</p>
<p>Scrooge never painted out Old Marley's name. There it stood,
years afterwards, above the ware-house door: Scrooge and Marley. The
firm was known as Scrooge and Marley. Sometimes people new to the
business called Scrooge Scrooge, and sometimes Marley, but he answered
to both names. It was all the same to him.
</p>
<p>Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a
squeezing, wrenching, grasping, scraping, clutching, covetous old
sinner! Hard and sharp as flint, from which no steel had ever struck
out generous fire; secret, and self-contained, and solitary as an
oyster. The cold within him froze his old features, nipped his pointed
nose, shrivelled his cheek, stiffened his gait; made his eyes red, his
thin lips blue; and spoke out shrewdly in his grating voice. A frosty
rime was on his head, and on his eyebrows, and his wiry chin. He <su n="4"/>
carried his own low temperature always about with him; he iced
his office in the dog-days; and didn't thaw it one degree at
Christmas.
</p>
<p>External heat and cold had little influence on Scrooge. No warmth
could warm, no wintry weather chill him. No wind that blew was
bitterer than he, no falling snow was more intent upon its purpose, no
pelting rain less open to entreaty. Foul weather didn't know where to
have him. The heaviest rain, and snow, and hail, and sleet, could
boast of the advantage over him in only one respect. They often
<sogenannt>came down</sogenannt> handsomely, and Scrooge never did.
</p>
<p>Nobody ever stopped him in the street to say, with gladsome looks,
<z>My dear Scrooge, how are you. When will you come to see me.</z> No
beggars implored him to bestow a trifle, no children asked him what it
was o'clock, no man or woman ever once in all his life inquired the way
to such and such a place, of Scrooge. Even the blindmen's dogs
appeared to know him; and when they saw him coming on, would tug their
owners into doorways <su n="5"/> and up courts; and then would wag their
tails as though they said, <z>No eye at all is better than an evil eye,
dark master! </z>
</p>
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