https://github.com/TEIC/TEI
Tip revision: 347c64fac3fa1a64ade0d8d1842813d4b8f7acec authored by Hugh Cayless on 12 May 2017, 16:57:59 UTC
Updates.
Updates.
Tip revision: 347c64f
examples-camera.html
<!DOCTYPE html
SYSTEM "about:legacy-compat">
<html xmlns="http://www.w3.org/1999/xhtml"><!--THIS IS A GENERATED FILE. DO NOT EDIT (98) --><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8" /><title>Example: <camera> </title><link href="guidelines.css" rel="stylesheet" type="text/css" /><link href="odd.css" rel="stylesheet" type="text/css" /><meta content="Text Encoding Initiative Consortium XSLT stylesheets" name="generator" /><meta property="Language" content="en" /><meta property="DC.Title" content="Example: camera " /><meta property="DC.Language" content="SCHEME=iso639 en" /><meta property="DC.Creator.Address" content="tei@oucs.ox.ac.uk" /><meta charset="utf-8" /><script type="text/javascript" src="jquery-1.2.6.min.js"></script><script type="text/javascript" src="columnlist.js"></script><script type="text/javascript" src="popupFootnotes.js"></script><script type="text/javascript">
$(function() {
$('ul.attrefs-class').columnizeList({cols:3,width:30,unit:'%'});
$('ul.attrefs-element').columnizeList({cols:3,width:30,unit:'%'});
$(".displayRelaxButton").click(function() {
$(this).parent().find('.RNG_XML').toggle();
$(this).parent().find('.RNG_Compact').toggle();
});
$(".tocTree .showhide").click(function() {
$(this).find(".tocShow,.tocHide").toggle();
$(this).parent().find("ul.continuedtoc").toggle();
});
})
</script><script type="text/javascript"><!--
var displayXML=0;
states=new Array()
states[0]="element-a"
states[1]="element-b"
states[2]="element-c"
states[3]="element-d"
states[4]="element-e"
states[5]="element-f"
states[6]="element-g"
states[7]="element-h"
states[8]="element-i"
states[9]="element-j"
states[10]="element-k"
states[11]="element-l"
states[12]="element-m"
states[13]="element-n"
states[14]="element-o"
states[15]="element-p"
states[16]="element-q"
states[17]="element-r"
states[18]="element-s"
states[19]="element-t"
states[20]="element-u"
states[21]="element-v"
states[22]="element-w"
states[23]="element-x"
states[24]="element-y"
states[25]="element-z"
function startUp() {
}
function hideallExcept(elm) {
for (var i = 0; i < states.length; i++) {
var layer;
if (layer = document.getElementById(states[i]) ) {
if (states[i] != elm) {
layer.style.display = "none";
}
else {
layer.style.display = "block";
}
}
}
var mod;
if ( mod = document.getElementById('byMod') ) {
mod.style.display = "none";
}
}
function showall() {
for (var i = 0; i < states.length; i++) {
var layer;
if (layer = document.getElementById(states[i]) ) {
layer.style.display = "block";
}
}
}
function showByMod() {
hideallExcept('');
var mod;
if (mod = document.getElementById('byMod') ) {
mod.style.display = "block";
}
}
--></script></head><body id="TOP"><div id="container"><div id="banner"><img src="Images/banner.jpg" alt="Text Encoding Initiative logo and banner" /></div></div><div class="mainhead"><h1>P5:
Guidelines for Electronic Text Encoding and Interchange</h1><p>Version 3.1.1a. Last updated on
10th May 2017, revision bd8dda3</p></div><div class="main-content"><div class="miniTOC miniTOC_right"><ul class="subtoc"><li class="subtoc"></li><li class="subtoc"></li><li class="subtoc"><a class="navigation" href="index.html">Home</a></li><li class="subtoc"><a class="navigation" href="REF-ELEMENTS.html">C Elements</a></li></ul></div><h3>Example<a href="ref-camera.html">: <camera> </a></h3><p>These search results reproduce every example of the
use of <camera> in the Guidelines, including all localised
and translated versions. In some cases, the examples have been drawn
from discussion of other elements in the Guidelines and illustrating
the use of <camera>
is not the main
focus of the passage in question. In other cases, examples may be direct
translations of each other, and hence identical from the perspective of
their encoding.</p><ul><li><b><a href="#DR"><span class="headingNumber">7 </span><span class="head">Performance Texts</span><em> (defining module)</em></a></b></li></ul><h4 id="DR"><span class="headingNumber">7 </span><span class="head">Performance Texts</span></h4><hr /><p><a href="DR.html#DROTH"><span class="headingNumber">7.3 </span><span class="head">Other Types of Performance Text</span></a></p><div id="index-egXML-d39e66915" class="pre egXML_valid"><span class="element"><<span class="highlightelementname">camera</span>></span>Angle on Olivia.<span class="element"></<span class="highlightelementname">camera</span>></span><br /><span class="element"><view></span>Ryan's wife, standing nervously alone on the sidelines,<br /> biting her lip. She's scared and she shows it.<span class="element"></view></span></div><hr /><p><a href="DR.html#DROTH"><span class="headingNumber">7.3 </span><span class="head">Other Types of Performance Text</span></a></p><div id="index-egXML-d39e66923" class="pre egXML_valid"><span class="element"><view></span>George glances at the window--and freezes.<br /> <span class="element"><<span class="highlightelementname">camera</span>></span>New angle--shock cut<span class="element"></<span class="highlightelementname">camera</span>></span> Out the window<br /> the body of a dead man suddenly slams into<br /> <span class="element"><hi></span>frame<span class="element"></hi></span>. He dangles grotesquely,<br /> held up by his coat caught on a protruding bolt.<br /> George gasps. The train <span class="element"><hi></span>whistle<span class="element"></hi></span> screams.<span class="element"></view></span></div><hr /><p><a href="DR.html#DROTH"><span class="headingNumber">7.3 </span><span class="head">Other Types of Performance Text</span></a></p><div id="index-egXML-d39e66954" class="pre egXML_valid"><span class="element"><sp></span><br /> <span class="element"><speaker></span>TV Announcer VO<span class="element"></speaker></span><br /> <span class="element"><p></span>Working with Ryan are his two coworkers—<br /> Strut Bowman, the mechanical engineer—<br /> <span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span>Angle on Strut<span class="element"></<span class="highlightelementname">camera</span>></span><br /> standing in the tow boat, walkie-talkie in hand,<br /> watching Ryan carefully.<span class="element"></view></span><br /> —and Roger Dalton, a rocket<br /> systems analyst, and one of the scientists<br /> from the Jet Propulsion Lab ...<span class="element"></p></span><br /><span class="element"></sp></span></div><hr /><p><a href="DR.html#DROTH"><span class="headingNumber">7.3 </span><span class="head">Other Types of Performance Text</span></a></p><div id="index-egXML-d39e66992" class="pre egXML_valid"><span class="element"><<span class="highlightelementname">camera</span>></span>Zoom in to overlay showing some stock film<br /> of hansom cabs galloping past.<span class="element"></<span class="highlightelementname">camera</span>></span><br /><span class="element"><caption></span>London, 1895.<span class="element"></caption></span><br /><span class="element"><caption></span>The residence of Mr Oscar Wilde.<span class="element"></caption></span><br /><span class="element"><sound></span>Suitably classy music starts.<span class="element"></sound></span><br /><span class="element"><view></span>Mix through to Wilde's drawing room. A crowd of suitably<br /> dressed folk are engaged in typically brilliant conversation,<br /> laughing affectedly and drinking champagne.<span class="element"></view></span><br /><span class="element"><sp></span><br /> <span class="element"><speaker></span>Prince of Wales<span class="element"></speaker></span><br /> <span class="element"><p></span>My congratulations, Wilde. Your latest play is a great success.<span class="element"></p></span><br /><span class="element"></sp></span></div><hr /><p><a href="../../en/html/ref-view.html"><view></a></p><div id="index-egXML-d39e67061" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><name></span>Max<span class="element"></name></span> joins his daughter<br /> at the window. <span class="element"><hi></span>Rain<span class="element"></hi></span> sprays his<br /> face-- <span class="element"></view></span><br /><span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span>Max's POV<span class="element"></<span class="highlightelementname">camera</span>></span> He sees occasional<br /> windows open, and just across from his apartment<br /> house, a <span class="element"><hi></span>man<span class="element"></hi></span> opens the front door of<br /> a brownstone--<span class="element"></view></span></div><hr /><p><a href="../../fr/html/ref-view.html"><view></a></p><div id="index-egXML-d39e67078" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><p></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span>Plan d'ensemble<span class="element"></<span class="highlightelementname">camera</span>></span> des fillettes qui regardent Mouchette. <span class="element"><<span class="highlightelementname">camera</span>></span>Plan<br /> rapproché<span class="element"></<span class="highlightelementname">camera</span>></span> de la main de l'institutrice pianotant nerveusement.<span class="element"><<span class="highlightelementname">camera</span>></span> Retour<span class="element"></<span class="highlightelementname">camera</span>></span> sur les fillettes qui ricanent. Mouchette, face à nous, ne peut retenir<br /> ses larmes. N'y tenant plus, elle prend son visage dans ses mains et hoquète de<br /> sanglots. <span class="element"><<span class="highlightelementname">camera</span>></span>Fondu enchaîné.<span class="element"></<span class="highlightelementname">camera</span>></span><span class="element"></p></span><br /><span class="element"></view></span></div><hr /><p><a href="../../fr/html/ref-view.html"><view></a></p><div id="index-egXML-d39e67093" class="pre egXML_valid"><span class="element"><div <span class="attribute">type</span>="<span class="attributevalue">plan</span>"></span><br /> <span class="element"><view></span> Préfecture - bureau fonctionnaire - intérieur jour <span class="element"><<span class="highlightelementname">camera</span>></span>Plan américain<span class="element"></<span class="highlightelementname">camera</span>></span><br /> d'un fonctionnaire assis derrière un bureau (il est vu de profil), consultant un fichier<br /> dans une boîte ouverte devant lui. Il sort une fiche et lève la tête. C'est un homme<br /> d'une quarantaine d'années, un aspect solide, concret, et un air relativement bon<br /> enfant. Dans son regard, pourtant, on voit passer par moments une lueur froide,<br /> inquiétante. <span class="element"></view></span><br /> <span class="element"><sp></span><br /> <span class="element"><speaker></span>FONCTIONNAIRE<span class="element"></speaker></span><br /> <span class="element"><p></span>Robert Klein, vous avez dit ?<span class="element"></p></span><br /> <span class="element"></sp></span><br /><span class="element"></div></span></div><hr /><p><a href="../../zh-TW/html/ref-view.html"><view></a></p><div id="index-egXML-d39e67106" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><name></span>馬克思<span class="element"></name></span>隨他女兒到窗邊。<span class="element"><hi></span>雨水<span class="element"></hi></span> 打在他臉上-- <span class="element"></view></span><br /><span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span>馬克思的視點<span class="element"></<span class="highlightelementname">camera</span>></span> 他看見一些打開的窗戶，而就在他公寓對面，有一個<span class="element"><hi></span>男子<span class="element"></hi></span> 正打開富麗堂皇的大門。--<span class="element"></view></span></div><hr /><p><a href="../../en/html/ref-camera.html"><camera></a></p><div id="index-egXML-d39e67198" class="pre egXML_valid"><span class="element"><view></span>George glances at the window—and freezes.<br /> <span class="element"><<span class="highlightelementname">camera</span> <span class="attribute">type</span>="<span class="attributevalue">cut</span>"></span>New angle—shock cut<span class="element"></<span class="highlightelementname">camera</span>></span><br /> Out the window the body of a dead man suddenly slams into frame<br /> <span class="element"></view></span></div><hr /><p><a href="../../fr/html/ref-camera.html"><camera></a></p><div id="index-egXML-d39e67207" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span> <span class="attribute">type</span>="<span class="attributevalue">plan</span>"></span>Plan américain (très légère plongée)<span class="element"></<span class="highlightelementname">camera</span>></span> de la plate-forme<br /> bondée. <span class="element"><<span class="highlightelementname">camera</span> <span class="attribute">type</span>="<span class="attributevalue">mouvement</span>"></span>Pano<span class="element"></<span class="highlightelementname">camera</span>></span> sur Klein qui se glisse dans le couloir<br /> intérieur du véhicule, jusqu'à une jeune femme qui se tient debout. <span class="element"></view></span></div><hr /><p><a href="../../zh-TW/html/ref-camera.html"><camera></a></p><div id="index-egXML-d39e67216" class="pre egXML_valid"><span class="element"><view></span>喬治望向窗戶，凍住。 <span class="element"><<span class="highlightelementname">camera</span> <span class="attribute">type</span>="<span class="attributevalue">cut</span>"></span>新角度—shock<br /> cut（凝住）<span class="element"></<span class="highlightelementname">camera</span>></span> 窗外一具屍體突然砰向畫面<span class="element"></view></span></div><hr /><p><a href="../../fr/html/ref-sound.html"><sound></a></p><div id="index-egXML-d39e67340" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span> Plan américain<span class="element"></<span class="highlightelementname">camera</span>></span> serré de Zazie, en chemise de nuit, dans les vécés,<br /> tout carrelés de clair. Au vasistas, passe un rayon de soleil matinal. Zazie réfléchit et<br /> colle son oreille sur la cloison. La maison est tellement silencieuse qu'elle doit se<br /> demander si elle va tirer la chasse d'eau ou non. Elle sourit et imagine qu'elle entend le<br /> bruit de métro <span class="element"><sound></span>(bruit off)<span class="element"></sound></span>, puis, suivie en court<br /> <span class="element"><<span class="highlightelementname">camera</span>></span>panoramique<span class="element"></<span class="highlightelementname">camera</span>></span>, elle va tirer la chasse d'eau. <span class="element"><sound></span>Bruit de démarrage<br /> d'une automobile, grincement de changement de vitesse<span class="element"></sound></span>. [Etonnée, Zazie<br /> recommence. Cette fois,<span class="element"><sound></span> bruit du chariot d'une machine à écrire<span class="element"></sound></span> qui revient<br /> à la ligne. Encore une fois : <span class="element"><sound></span>sirène de brume<span class="element"></sound></span>]. Ecœurée ou déçue, Zazie<br /> sort des vécés. <span class="element"></view></span></div><hr /><p><a href="../../en/html/ref-caption.html"><caption></a></p><div id="index-egXML-d39e67421" class="pre egXML_valid"><span class="element"><<span class="highlightelementname">camera</span>></span>Zoom in to overlay showing some stock film of hansom cabs<br /> galloping past<span class="element"></<span class="highlightelementname">camera</span>></span><br /><span class="element"><caption></span>London, 1895.<span class="element"></caption></span><br /><span class="element"><caption></span>The residence of Mr Oscar Wilde.<span class="element"></caption></span><br /><span class="element"><sound></span>Suitably classy music starts.<span class="element"></sound></span><br /><span class="element"><view></span>Mix through to Wilde's drawing room. A crowd of suitably<br /> dressed folk are engaged in typically brilliant conversation,<br /> laughing affectedly and drinking champagne.<span class="element"></view></span><br /><span class="element"><sp></span><br /> <span class="element"><speaker></span>Prince of Wales<span class="element"></speaker></span><br /> <span class="element"><p></span>My congratulations, Wilde. Your latest play is a great success.<br /> <span class="element"></p></span><br /><span class="element"></sp></span></div><hr /><p><a href="../../fr/html/ref-caption.html"><caption></a></p><div id="index-egXML-d39e67439" class="pre egXML_valid"><span class="element"><view></span><br /> <span class="element"><<span class="highlightelementname">camera</span>></span>Plongée générale de la cage d'escalier (en colimaçon)<span class="element"></<span class="highlightelementname">camera</span>></span>. Deux lycéens,<br /> Eric et Serge, âgés de 16 ans, en manteaux noirs, montent. <span class="element"><<span class="highlightelementname">camera</span>></span>En surimpression sur<br /> cette image, passent successivement trois cartons de générique<span class="element"></<span class="highlightelementname">camera</span>></span><br /> <span class="element"><note <span class="attribute">place</span>="<span class="attributevalue">foot</span>"></span> Le générique complet se déroule à la fin du film<span class="element"></note></span>. <span class="element"><sound></span>Reprise de<br /> la musique leitmotiv. Coup de sonnette.<span class="element"></sound></span><br /> <span class="element"><caption></span> 1er carton : UN FILS UNIQUE<span class="element"></caption></span><br /> <span class="element"><caption></span>2e carton : UN FILM de MICHEL POLAC<span class="element"></caption></span><br /> <span class="element"><caption></span> 3e carton : IMAGES ERIC DALMAT<span class="element"></caption></span><span class="element"></view></span></div><hr /><p><a href="../../zh-TW/html/ref-caption.html"><caption></a></p><div id="index-egXML-d39e67458" class="pre egXML_valid"><span class="element"><<span class="highlightelementname">camera</span>></span>鏡頭拉近，畫面上雙蓋馬車奔馳而去。<span class="element"></<span class="highlightelementname">camera</span>></span><br /><span class="element"><caption></span>1895年，倫敦。<span class="element"></caption></span><br /><span class="element"><caption></span>王爾德先生的家<span class="element"></caption></span><br /><span class="element"><sound></span>開始合宜別緻的音樂。<span class="element"></sound></span><br /><span class="element"><view></span>畫面融接到王爾德的畫室。一群人衣冠楚楚、 高談闊論，有人手拿香檳，有人開懷大笑。<span class="element"></view></span><br /><span class="element"><sp></span><br /> <span class="element"><speaker></span>威爾斯王子<span class="element"></speaker></span><br /> <span class="element"><p></span>恭喜你，王爾德。你最近的戲劇是個大成功。<span class="element"></p></span><br /><span class="element"></sp></span></div></div><div class="stdfooter autogenerated"><p>
[<a href="../../en/html/examples-camera.html">English</a>]
[<a href="../../de/html/examples-camera.html">Deutsch</a>]
[<a href="../../es/html/examples-camera.html">Español</a>]
[<a href="../../it/html/examples-camera.html">Italiano</a>]
[<a href="../../fr/html/examples-camera.html">Français</a>]
[<a href="../../ja/html/examples-camera.html">日本語</a>]
[<a href="../../ko/html/examples-camera.html">한국어</a>]
[<a href="../../zh-TW/html/examples-camera.html">中文</a>]
</p><hr /><div class="footer"><a class="plain" href="http://www.tei-c.org/About/">TEI Consortium</a> | <a class="plain" href="http://www.tei-c.org/About/contact.xml">Feedback</a></div><hr /><address><br />TEI Guidelines <a class="link_ref" href="AB.html#ABTEI4">Version</a> <a class="link_ref" href="../../readme-3.1.1.html">3.1.1a</a>. Last updated on <span class="date">10th May 2017</span>, revision <a class="link_ref" href="https://github.com/TEIC/TEI/commit/bd8dda3">bd8dda3</a>. This page generated on 2017-05-12T12:30:09Z.</address></div></body></html>